Annelies Planteijdt Beautiful City – Water 22 March – 31 July 2020

Annelies Planteijdt – Beautiful City – Water 22 March – 31 July 2020 Annelies Planteijdt says of her new series of work, ‘everything is fluid’. Nothing in life is fixed and things are constantly shifting, a pertinent theme in this time of crisis. For nearly 20 years, Dutch jeweller Annelies Planteijdt has been investigating the ideas […]

Karola Torkos
Fragmentology
22 March – 31 July 2020

Known for her often brightly coloured work, Fragmentology is Karola Torkos’ study of surviving fragments – colourful scraps of plastic, metals and enamel combined to create a series of beautiful, lively necklaces.

Piet Dieleman
Repetition and Difference
22 March – 31 July 2020

Repetition and difference, Piet Dieleman’s new work explores these two concepts. Based on a continuous landscape, the repetition of forms in his paintings suggest a continuation from one canvas to another – the edge of the painting is only a physical condition from which the contents would like to escape.

Anders Ljungberg
Distinctions
12 January – 18 March 2020

Swedish silversmith Anders Ljungberg’s work is an investigation of functional objects and our relationship to them. He peels back layers of everyday use to reveal something hidden under the blanket of habitual, daily actions. He says, ‘I‘m describing a situation where user, room and object are elements in a story that hopefully can say something significant about our time.’

Rudolf Kocéa
Clowns
12 January – 18 March 2020

Inspiration comes from any- and everywhere for Rudolf Kocéa – something seen or heard or read in a newspaper. His simple forms are profoundly evocative, and in this new exhibition his jewellery talks of politics, ancient history, myth and material. The eponymous Clowns, rendered in fine silver and enamel, are drawn from the global political stage

Iris Bodemer
Past and Present
12 January – 18 March 2020

Iris Bodemer is an artist led by instinct, with an unmistakable affinity for her materials. Ideas percolate in her mind over time and find voice in her jewellery – things she cannot put into words.
‘I design jewellery just like I draw. The jewels are my drawings.’ Drawing into her materials, Iris explores their possibilities of use and expression and seeks simple solutions to the technical challenges of joining, closing, attaching.